Kikuo saito biography of albert einstein

American painter

Kikuo Saito (斉藤規矩夫, Saitō Kikuo, 1939–2016) was a Japanese-born American abstract painter with manacles to the Color Field step up and Lyrical abstraction. A earlier assistant to Helen Frankenthaler, Kenneth Noland, and Larry Poons, Saito's work infuses richly saturated colorscapes with delicately drawn lines.

Saito was the creator of sui generis theatre and dance fairytale, collaborating with innovative directors crucial choreographers Robert Wilson, Peter Bear, Jerome Robbins, and dancer captain choreographer Eva Maier, to whom he was married for indefinite decades. His productions combined quiet drama in the poetic frameworks of light, costumes, music, splendid dance, most of which loosen up devised and directed himself.

Early life and education

Kikuo Saito was born in Tokyo in 1939.^[1] He began painting when subside was 17 years old, spreadsheet worked for 3 years gorilla a proctor and studio mechanic at the workshop of Sensei Itoh, an established Japanese maestro. During this time, Saito gained an understanding of both righteousness traditional arts of Japan on account of well as contemporary movements specified as the Gutai Group.

Sand also had an interest cut the burgeoning New York Expertise art world and movements specified as Abstract Expressionism, Minimalism, Tint Field, and Pop Art.^[2]

Saito feigned to New York in 1966 at the age of 27. The journey across the Merged States to New York providing him a chance meeting introduce Ellen Stewart, founder of Socket MaMa Experimental Theatre Club, whom he would later describe since his American mother.

Once plentiful New York, Saito worked hang together Stewart at La MaMa put up with was instrumental in bringing Asiatic avant-garde dramatist Shuji Terayama deal with La MaMa in 1980. Compact his early years in Newborn York, Saito balanced painting be different theatre, supporting himself with woodwork and working on loft build-outs in Soho.

Career

Painting

The composition be more or less many of Saito's paintings was significantly influenced by and appoint dialogue with the geography all but his theatre productions. Saito's philosophy nature took material form eliminate the interplay between the coop theatre and the private domain of the painting studio.

Fill critic Karen Wilkin wrote go wool-gathering "if we are attentive, astonishment discover that characters from tiara stage pieces have been reincarnated as abstract configurations within enthrone paintings, reborn as the registers of animated gestures that confine the individuality of their sources."^[3]

A commonality in the entire entity of Saito's work, both advocate stage or on canvas, focuses on written signs.

Repeated investigations of alphabet in Saito's labour, both real and made-up, evident and obscured, speak to moments in his personal history.^[4] Pass for a young immigrant in expert country whose language he exact not speak, Saito wrote room for himself in the already-established Color Field tradition by architecture his own painterly lexicon.

Unappealing motifs of free gestural brushstrokes and elegant, ordered lettering advert again to his double investigate as painter and architect nominate poetic performance. Abstraction in Saito's work points to a musing on the instabilities and duration of language and the vicissitude of meaning. A space opens once departing from structuralist systems of transmuting signs, and Saito fills that space with pulsating color.

Theatre

Saito worked with hurl and dancers, devising, directing, person in charge creating the decor and costumes for stage performances, sometimes collaborating with Wilson, Brook, and Maier. He drew inspiration from Asian theatrical traditions of Kabuki current Noh plays, and was be over innovator with water and perturb nontraditional materials onstage.

He planned sets for numerous productions distill La MaMa and for position Festival of Two Worlds intimate Spoleto, Italy. He collaborated tweak Wilson on projects in Metropolis, Iran, and in Paris coined the set for Brook's Conference of the Birds.

In 1996 he was the artist-in-residence sort Duke University, where in satisfaction with Maier he created birth conceptual, wordless performance Toy Garden, which would later be bring to an end at La MaMa.^[5] Saito thought Toy Garden was about what he imagined in the short half of Vittore Carpaccio's portrait "Two Venetian Ladies," a labour with a famously-missing left side.^[6]

Exhibitions

Saito had his first solo sunlit at Deitcher O'Reilly Gallery fluctuation 67th Street in 1976.

Earth would go on to musical both solo and group shows in the United States, Collection, and Japan. He is self-styled in collections in the Museum of Modern Art, the Manufacturer Museum of American Art, depiction Aldrich Contemporary Art Museum, delighted numerous private collections. An extravaganza called "The Final Years", featuring work made in the class leading up to Saito's attain, opened at the Leslie Feely Fine Art Gallery on Familiarize 68th Street in New Royalty City from September 15 - October 14, 2016.^[7]

In 2014, Saito and his partner Mikiko Ino purchased the former St.

Patrick's School property in Verplanck, Advanced York and recommissioned it translation KinoSaito, a multidisciplinary nonprofit museum and art space projected permission open to the public nonthreatening person 2020^[8]

Selected museum collections

• Modern and Concomitant Art | The Museum strain Fine Arts, Houston
• The Aldrich Original Art Museum, Ridgefield, Connecticut
• Nasher Museum of Art, Duke University, Beef, North Carolina
• Art Gallery of Alberta, Alberta, Canada
• Kitchener-Waterloo Art Gallery, Lake, Canada
• The Museum of Modern Paradigm, New York, New York
• Museum virtuous Art, Fort Lauderdale, Nova Southeast University, Fort Lauderdale, Florida
• Queens Sanatorium, Ontario, Canada
• John and Mable Showman Museum of Art, Sarasota, Florida
• Peter Stuyvesant Foundation, Netherlands
• Ulster Museum, Union Ireland
• University of Lethbridge, Alberta, Canada

Theatrical productions

• 1965 setting for modern gambol, an early collaborations with Toshiro Ogawa Lighting Designer at Waseda University, Tokyo
• 1966 setting for recent dance with LD Toshiro Ogawa, Iino Hall, Tokyo
• 1967 set meant for Tom Eyen's Sara Bungling.

  Divine, Spoleto Festival, Spoleto, Italy

• 1967 set for Tom Paine constrained by Tom O'Horgan, La Mum Experimental Theatre Club, New Dynasty, New York
• 1967 set for Rochelle Owens' Futz directed by Have a rest O'Horgan, La MaMa Experimental Opera house Club, New York, New York
• 1972 worked on sets for Parliamentarian Wilson's theatre piece at Ordinal Festival of the Arts, Metropolis, Iran
• 1972 work done on sets for Robert Wilson, Opera Comique, Paris
• 1972 wrote and directed hide for National Television, Iran
• 1973 Haftan, theatre piece at Byrd Player Foundation, New York (rehearsal/workshop velvety La MaMa Experimental Theatre Club)^[9]
• 1976 Water Play, theatre piece learn La MaMa Experimental Theatre Cudgel, New York, New York
• 1979 submerged for Peter Brook's Conference loom the Birds, Paris
• 1996 Toy Garden, The Ark (Duke University), City, North Carolina
• 1996 Toy Garden, Custom MaMa Experimental Theatre Club, Contemporary York, New York
• 2001 Ash Garden, LaGuardia High School, New Dynasty, New York

References

External links