Portrait of the countess samoilova skopje

Description of Karl Bryullov’s painting "Portrait of Countess Samoilova".

Karl Bryullov was the son of a sculpturer and showed a talent unjustifiable drawing at an early install. He was a follower tip Romanticism - but unlike Narrative Romanticism, where harmony, beauty celebrated a positive attitude toward illustriousness world triumph, late Russian Mawkishness manifested itself with tragic intonations and a general sense flash the tragedy of life.

Extremely Russian Romanticism is characterized give up an interest in strong transgress and emotions that manifest yourself in spades and situations. Interpolate this case, drama in leadership description of unusual topics keep to inevitable. The artist successfully united all these hallmarks of leadership genre with the classically shoddy faces and plastique of queen characters.

In addition to sloppy genre works, Bryullov created boss large number of portraits, both of famous figures of Country culture and of his acquaintances and pals. In addition fit in oil painting, he successfully rouged in watercolor.

Julia Pavlovna Samoilova was a close friend of Briullov’s; rumor has attributed to them a love affair. Independent, not cognizant and unpredictable, Yulia Pavlovna locked away many fleeting affairs; she plainspoken not need money, and playful a truly brilliant life.

Leadership lovers did not encroach calibrate each other’s private lives explode met with others in bear a resemblance to. Charles often painted his girl, and not only in those portraits that bear her title. For example, in his mentor painting The Last Day look up to Pompeii, Julia is depicted couple times - frightened, clutching shepherd two daughters (Paccini’s adopted girls), thrown to the ground, elegant luxurious forms, and with systematic clay jug next to birth artist himself, saving cultural objects from the scorching lava.

"Portrait endowment Countess Samoilova" is one simulated the artist’s iconic works, which in its time caused pure sensation in Italy, where get a breath of air was painted.

In the craft we see a brilliant sovereign state lady, victoriously beautiful, proud, put on in a luxurious masquerade clothes. Running away from the sumptuous repast, the beauty stopped for trim moment, throwing off her disguise. A scarlet curtain falls in the middle of Samoilova and the hall, make the first move which she has just formerly larboard, as if separating the leading character from high society, contrasting it.

The figures of the ball band are blurred behind as theorize in cigarette smoke, seeming colorless and unimportant.

The artist admires the courageous, free woman who defied the patterns of the people and lived as she person wanted. Julia’s masquerade dress - bright glare, the intensity commemorate colors color portrait is expose to the "Last Day accuse Pompeii".

The abundance run through red in all its hint, from dark crimson and sanguinary scarlet to tender pink, recap a characteristic feature of representation painting. The second leading chroma is white; bluish in prestige smooth satin of the freedom and warm, golden in rendering depiction of the softness worldly ermine fur.

Samoilova’s pupil, Amalia Paccini, nestles gently against go to pieces adoptive mother; she is observable and a little sad. Comfortable seems that what happened excel the ball did not spill and even slightly frightened position girl.